Poes Poetics:
Awash in a Sea of Dread
March 21st, 2004
The Poetics of Poe is in one joint disturbing. He uses language and mise en scene to immerse the contributor in dreary, nightmare like scene. This is the lineament in most, if not all, of his poems and compendious stories. However, the majority of his stories are not supernatural. They fall more along the lines of the uncanny, such as The Tell-Tale Heart, there are exceptions. In the case of The Fall of the base of Usher, he uses setting and character description, to lay out the perversion of not only the house but the characters within. And lastly, Poe likewise uses plot, as is the case in The Cask of Amontillado.
The descriptions Poe uses in the setting of his stories is remarkably detailed, enough so that you cannot break free of the dreary, sometimes desolate place you find yourself placed into. A flower example of this is in the beginning of his story; The Fall of The House of Usher.
We open on the fabricator, During the whole of a dull, dark, dreary and smooth day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length tack myself, as the shades of evening drew on, within look on of the melancholy House of Usher (138). The preceding passage gives the reader a feeling of lonely despair and a consciousness of deep foreboding. Poe went on to write about the feeling the narrator had when he spied this first glimpse of The House of Usher, ... a spirit of insufferable gloom pervaded my spirit (138). These and other descriptions lend themselves unitedly as a whole to make it seem very...
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