Beethoven, Ludwig van

van Beethoven, Ludwig van (1770-1827), German composer, more often than none considered one of the greatest composers in the Western tradition. Born in Bonn, Beethoven went to Vienna in 1792 to study under Austrian composer Joseph Haydn. In Vienna, he dazzle the aristocracy with his piano improvisations and became a successful freelance composer.\n\nIn the first ten-spot of the nineteenth century Beethoven spread out the melodic language bequeathed by Haydn and Wolfgang Amadeus Mozart and revealed his complete assimilation of the Viennese classical direction. Beethovens fame reached its zenith during these years, plainly a hearing impairment he had first noted in 1798 steadily worsened. He performed in public only r arely, qualification his finish appearance in 1814. By 1818 Beethoven was virtually deaf. Although he withdrew from all exactly a steadily shrink circle of friends, his prestige was serene so great that during his last illness he current huge outpourings of sympathy.\n\nMusical instruction\n\nBeethovens major output consists of 9 symphonies, 7 concertos, 17 absorb quartets, 32 piano sonatas, 10 sonatas for violin and piano, 5 sonatas for cello and piano, an opera, 2 masses, several overtures, and numerous sets of piano variations.\n\nHis full treatment of the decade from 1802 to 1812 represent an expansion of the tighter forms of Haydn and Mozart, as is apparent in the Eroica philharmonic and the Piano Concerto no. 5 (Emperor, 1809), as well as in Symphony no. 5 (1808).\n\nThe few institutes of the years after 1812 revive and expanded the more relaxed tuneful structures Beethoven had employed in the 1790s. In 1818 he returned to the tightly structured distinguished style in his Piano Sonata in B-flat Major op. 106 (Hammerklavier), a work of unprecedented length and difficulty.\n\nThe industrial plant of Beethovens last period are marked by an individualisation that later composers would admire but could scarcely emulate. In t he one-ninth Symphony and the Missa solemnis Beethoven gave conceptualization to an all-embracing view of idealise humanity. In the five absorb quartets of 1824 to 1826, Beethoven achieved an ideal implication between popular and erudite styles and between the humorous and the sublime. Judged unaccessible in their time, the string quartets founder become- as has so frequently of Beethovens output- yardsticks against which all other musical achievements are measured.\n\nInfluence\n\nBeethoven towered over the 19th century, embodying the heroic ideal and the romantic scholarship of the composer as an artist who pursues a personal vision beyond the creation of music request by a patron. However, Beethovens adjacent musical...If you want to get a full essay, order it on our website:

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