'Comment of the way Blake uses imagery in Songs of Innocence andSongs of Experience Essay\r'

' notice of the way Blake riding habits imagery in Songs of Innocence and Songs of capture to give different perspectives on the human condition.\r\nBlake portrays in truth different calculates on the human condition in Songs of Innocence and Songs of Experience by using imagery. He uses different sorts of imagery to build a view in the contributors mind. Blake whitethorn intend to use run-in to associate sacred scriptures to a larger picture, perchance by using intensions. This method adds a megabucks of depth and meaning to the poem. An example of this can be found in ‘LONDON’. The use of the word ‘blackning’ may appear simple and straighforward, yet Blake may of intended this word to have several meanings. sinister is a sinister colour which may be associated with evil, as well as suggesting Londons filth. This foreboding connotation would complement the poems tone and imply rather demoralised views on the human condition.\r\nBlake often uses b old and liaison descriptions, which appeal to the readers imaginations and often encourages them relate to the poems messting, characters, or overall meaning on a more ad hominem level. In ‘Nurse’s Song’, Blake builds an consider setting in the readers mind. This gives a happy and postive view on life, by describing a setting normal of dreams, or fairy stories in which evil is non-existent. This is a huge contrast from the descriptive language utilise in poems from Songs of Experience. Here, stronger and perhaps more realistic and untamed images are portrayed. For example, in ‘The Tyger’, the first two lines set a very specific scene.\r\n‘Forests of the night’ is a fairly simple yet strikingly black line. A dark forest is the place the reader would least like to be, especially accompanied by a tiger. The use of alliteration, ‘burning bright’ emphasises the rocky and strong ‘b’ sound, and helps set the scene. Perhaps this use of the word burning is supposed to put the vagary of hell into the readers mind. The physical and mechanical language apply later on is extremely vivid, and one cannot help associating this with the industrial revolution, which would of been occuring at the time Blake wrote his poems.\r\n'