Brandon Yocum TAI 578B 10-17-01 Dr. Lodge Bee-Luther-Hatchee         The both actors that I thoroughly enjoyed observance perform were CJ and bloody shame. I judgement they were excellent based point of references that had a strong grasp of the fareledge, and an overall feeling of the surrounding atmosphere. Mary chose some very strong physical choices in the compreh wipeout of; she was one of few women of subterfuge in her profession and she was intimately on top. She used her ethnic background and skin color to arouse emotions out of CJs character. CJ chose a proud and distinguished neat male that was not going to be subdued by something that happened in the past that he could do nothing about.
boilers suit I enjoyed CJs character much better because I sentiment Mary didnt act in a few places, further used just the black vs. white issue to thwart that up. I loved the way that CJ moved on and through the stage. Even though he was in her hotel room he seemed to come in and most own the place. He came in and set his stuff about the book on the table, and showed her distri entirelyively individual thing. From the first rough drafts of the book, and through the editing process, he picked each of them up and showed it right to her face, so that he could conjure he was the author. The way he proved the rough drafts were his was with much(prenominal) conviction and demanding her to believe.
Now, I idea Mary did a fabulous job of responding to that by feeling very uncomfortable, while in her own hotel room with this strange guy making accusations that he wrote this book which she felt so dear about. When CJ was trying to consume his message to Mary, she just held the book so tight to her heart. At one point she got so upset with CJ that she just threw the unredeemed book right back at his chest with wickedness scowling over his whole body.
I loved watch the cast, move on the set. Wow, it was pretty interesting to sit and wonder if one of the actors were going to fall in my lap. I thought they all did a cracking job of portraying the office, the restaurant, the home, the road, and the hotel. I loved Sylvias part where she was aimlessly wandering on the unfastened road and telling her story.
As I mentioned I thought Mary acted some of the black in her rather than permit the performing take hold.
The language was delivered and well received, but at certain points when in the hotel room with CJ I think her acting slipped and it almost seemed like she took a little bit of it personal, almost as if she was taking it a little racist. Now I mean no offensive nature by adage this, it was just my observation.
Well, as far as a character seeming to reach LeCoqs perfect dramatic action state, I would lay money down on it that CJ hit the discover right on the head. I thought he was phenomenal from the moment he stepped on the stage at the end of Act I, or right before intermission. He took cook of the stage he moved through the space with a great comfort zone. Even when Mary was coming at CJ with all the things of a white male does not know what it is like to be black, especially a black womanly; his character soaked it in and it hurt, but you could tell that he was going to bounce right back with another great point.
I saw the show Saturday night and was extremely impress by the whole cast! I never had a chance to see Christian or the other two ladies perform, they did a spectacular job. The script was well written and received, but the directing was stellar.
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