Cuckoos Nest

Throughout Ken Keseys novel, One Flew Over The Cuckoos Nest, two major themes are stressed: religious symbolism (mostly concerning the main character, McMurphy), and the conflict of identity operator versus conformity. Unfortunately, Milo Forman overlooks these two important themes in his film version, and and so weakens the core content of the film.

        The first thing you notice in any film is the physical appearance of the characters. In Keseys novel, the nurses starch-white uniform, attempting to breed her large breasts, the bizarre orange color of her nail polish, and the genuinely unfeminine items in her purse display the concept of conformity, with an injustice twist. Conversely, in Formans film, the Big Nurse is a small and neighborly looking woman. Her entire attitude creates the wrong mood and makes her watch off as being nice and sweet, as fence to Keseys version of the dominating and cruel nurse. The actress who portrayed Big Nurse, Louise Fletcher, too didnt have the breasts to fill the part. The nurse was supposed to have that conceal womanly quality under her uniform, which she desperately wanted to hide. but with Fletcher as the nurse, the entire scene with McMurphy finally revealing her woman and ending her dominance was eliminated from the film.

        In Formans film, the narrator as sound as point-of-view are also unfortunately altered. In the book, promontory Bromden was an outsider looking in who saw and heard all. With the oral sex as a guide, the reader got to see what the ward was like through the Chiefs eyes, and gets his point of view as well. Through flashbacks, incubus scenes, and various other things that only a patient in a mental ward could provide, the reader gets the complete solvent of being inside the ward and receives the full comprehension of both(prenominal) the Nurse...

If you want to get a full essay, order it on our website: Ordercustompaper.com



If you want to get a full essay, wisit our page: write my paper